Album of the week #14: The La’s by The La’s
What is there to say about this album? Contemporary with the Stone Roses making one epochal album and disappearing into legal limbo for six years, the La’s made one epochal album and disappeared completely. Stories abound about front man Lee Mavers and his obsessions with perfection. Did he really insist that he wanted a mixing console with ‘genuine 1960s dust’ on it? I don’t know. Did the band record some of the tracks repeatedly, trying to create the sound Mavers heard in his head? Probably. Is ‘There She Goes’ a drug song? Yes. Is ‘Timeless Melody’ one of the most brilliant tracks ever recorded anywhere by anyone? Yes.
As I understand it it was assembled by Steve Lillywhite from the detritus of numerous recording sessions, none of which were definitive enough for the band. The record company stepped in and insisted that an album be put together, and it was.
The result is an album that is essential for any fan of tuneful guitar pop. There are at least half a dozen great little tunes, and only a couple that drag at all — even if the band apparently complained that they had played badly, possibly on purpose because they did not really want to work with Lillywhite, just so that it would not get released….what a mess it ought to be! I recall a quote — I think it was Eric Temple Bell — who in his book Men of Mathematics said something like, ‘It takes two to make a masterpiece; one to paint it and another to shoot the painter when it is done’. And similarly, a work of art is, Da Vinci apparently said, never finished, only abandoned. Mavers needed help abandoning this album, and quite possibly never wanted it released.
But he’d struck a deal with a record company, and eventually it found its way into the public consciousness. And this is one occasional when I am glad that the creator did not get the final say, because even if this record is not exactly what he wanted it to be, it’s a bloody good listen.